MANIFESTO OF POLYPOETRY
Only the development of the new technologies will mark the progress of sound
poetry : the electronic media and the computer are and will be the true
The object language must be increasingly investigated in its
smallest and largest parts : the word, basis of sound experimentation, takes
the characters of multi-word, broken into its inner body, restitched at its
exterior. The word must be able to free its own manifold sonorities.
The exploitation of sound has no limits. It must be carried beyond the border
of pure noise, a signifying noise : linguistic and oral ambiguity has a sense
only if it completely uses the instrument of the mouth.
The recovery of the sense of time (the minute,the second), apart from the
laws of harmony and disharmony, because only through editing is the right
parameter of synthesis and balance and balance found.
Language is rhythm. Tone values are real vectors of meaning : first an act
of rationality, then an act of emotion .
Polypoetry is devised and realized for the live show; it gives to sound poetry
the role of prima donna or starting point to link relations with musicality
(accompaniment or rhythmic line), mimicry, movement, and dance (acting or
extension or integration of the sound text), image (television or slide
projection, picture or installation, by association, explanation or alternative
and redundance),light, space,costumes and objects.
Published for the first time in the catalogue Tramesa
© Copyright 1996 by 3ViTre Archive of Polypoetry - All rights
© Copyright 1996 di 3ViTre Archivio di Polipoesia - Tutti i diritti